Tatsuro Nishimura is an award-winning still-life photographer working based in New York. Originally from Tokyo, he spent his teenage years in a small town in Japan. His interest in photography and American culture began during adolescence, sparked by his father’s passion for country music. 

In 2005, Tatsuro relocated to New York City, where he launched his career in commercial photography while attending the School of Visual Arts. Over the years, he has built a reputation as a go-to photographer for editorial and commercial clients. His precise yet creative control transforms his subjects, enhancing the visual impact and creating a unique atmosphere in each composition. 

Tatsuro’s precision and dedication to excellence in his commercial and fine artwork have earned him recognition in competitive and exhibition spaces. His images have been showcased at renowned venues like Soho Photo Gallery in New York, the Apple Store, and Adorama. He has received prestigious accolades from competitions such as the Graphis Photo Annual, the International Photography Awards, Applied Arts, and the Communication Arts Photo Award. His work has been featured in major publications like Bloomberg Businessweek, New Scientist, and Sports Illustrated. He has also contributed to high-profile advertising campaigns for brands such as Hamilton Watches, McDonald's, Puma, and Stetson. 

When Tatsuro isn’t working on client projects, he can be found with his wife, two young children, Bernese Mountain Dog, and a camera. 


“Tatsuro is our favorite and go-to product photographer. He is a master of precise, alluring lighting and composition. His drive for excellence always results in work that exceeds your expectations. And he’s a joy to work with.”

Xiao Li Tan

Chief Creative Officer, Stetson

“Tatsuro brings life to inanimate objects. Not an easy task, but he does it masterfully.”

Stephen Kamifuji

Art Director, Genlux Magazine

“Tatsuro is a valued artistic collaborator of mine—his extraordinary ability and cultural background form a unique perspective that translates into visually stunning photographs.“

Kathryn Brazier

Deputy Art Editor, New Scientist